Funeral ceremony of the nomads of Lorestan
Perhaps the scientific value of engaging in Suras and Vogh in Lorestan alone would be equal to the wider and broader ethnographic research of the region. The hidden values of this ceremony and the recognition of all its methods and methods can be considered as the main sources of study in the historical, sociological and other fields. The diversity of tribal features and the prevalence of the traditions and traditions of the archaeological origins that still exist between different denominations in the Corso Region. Now that the industrial and machine gains of the West have embraced the raised peaks, one after the other, it may soon be in the studies And the retrieval of the historical dough of these traditions led to irreparable losses, the next generations will deprive these important and inconclusive sources of knowledge. When these golden leaves wind up, it will not be forgotten how the social base of various people from Different strata of the people of Lorestan recite the poems of local folk or depend on the role of face or individual performance. In the past, every new past is described in terms of its role and its social base. It is a simple, sober, and soaked tear droplet that flows in the sad grief of the lost leaflets, like a cold water flow, the fire inside the rescue trap in the sad siege Sinks down
Moiyyah’s spokeswoman does not just refer to the new personality traits, but also focuses on his role and his social base. Kellabt’s wife, in terms of strength and efficiency at the IL and Gibbano Office, for the sake of bothering to educate the children and his active role in the circle of family life, It also relies on the type of activity (agriculture, animal husbandry, knitting, etc.). The elders of the tribe and the tribes are described as the men of warriors who defeat the enemy and the enemies of the eagle who have taken up the hill in their quest for hatred. The lost shepherds account for the description of the traps of engagement with various predatory animals and their desperation. The burning spells and the deaths of farmers who spend most of the year on irrigation, plowing, seeding, harvesting, and digging, will cover these topics in stages.
Moyeus’s poetry, along with the disastrous storyline, offers funds from nature, which are the largest ban on the inspiration of the anonymous musicians. The verbal content of Lori’s musicals in addition to the scientific load of the literary studies of this era, in terms of the role of Mirzayan and the tribes of the tribe and the characteristics of the people of the region and the generosity of some of them, and the description of the way business and business as well as musicians and other groups that marginalize Can be special. The liveliest embodiment of the words of Lori’s motifs is the role of the rocks of the cemeteries in Lorestan, which is another manifestation of the expression of this role and the social status of individuals. Many of these motifs, if not to the extent of the content of the poems of the musicals, but close to or close to that base, Socially buried. The stone statue of a standing stone is a young man, a manifestation of prowess and oppression and a battle that has devoted to defending the water and water of Abbas Vajdadi in battle with the attackers of the death syrup. Although this role has a roots in the depths of history, Shirr in the methodology of peoples and nations is a manifestation of power, but the reconstruction of his role may be a formidable spell of domination of this beast.
The mourning of the interesting lore and the end of the jubilee sometimes take years and do not have a constant time. The tribe, who died in the first days of the death of another tribe, did not have the opportunity to come and say a few years later, a few years later, and a few years later, pushed a saddle-toothed cattle called “Kotl” and, in promise, went to the press (mourning) and going to the gifts They also drove home to their home, and actually help the survivors on the occasion of this lesion.
The songs that were dedicated to the mourning among the Lars included:
1 Sahari (Yari): It was performed at the death of a registered person, and the death was announced by playing the song by Serna Waldal.
2 Package: It runs during mourning.
3 Rara: This song is played by a number of women and men from different villages to participate in someone’s dilemma, and they play with each other with Rara’s hand, a dance in sadness, and they read poetry in the description of the dead, women They read a lot of poetry that is very impressive.
Another point to note is the reference to some customs among tribes that have a direct connection to the black tent. Including in the Bakhtiari district of Lorestan, when a family member leaves a mortal family, family members kill the tent pillar in a show of their own grief and grief of water, thus wrecking the house. It seems that the sentence “Akhnehne Derm” (I wish your house is destroyed), which is said to be among the Lars as a curse or malice to someone, is due to the fact that after the death of each family especially If they are young, they will not set up a tent. If a deceased person is a father or guardian of the family, when moving in a place where the tent is black, a high rectangular cube of stone or stone weighs 1.5 to 2 meters The title of the remake was to build there. In some other parts of the Lak language, in the not-too-distant times, for example, a decade ago, when the news of the death was given, men of families and relatives, and especially close relatives, torn a corner of the black tent, they did. The customs that have been said have already been implemented with the high degree of unity of Moab Mohem, but nowadays, although many of them still exist, they are no longer fully implemented.
Source: Record Legacy
